位于密蘇里州的克雷斯特伍德購物中心里的“請(qǐng)放心”標(biāo)志

這些誕生于上世紀(jì)50年代的商業(yè)神廟曾是美國消費(fèi)文化的象征——而如今卻在持續(xù)衰亡,。英國廣播公司（BBC）記者喬納森·格朗西（Jonathan Glancey）帶你走進(jìn)衰敗的美國購物中心,。

提到商場(chǎng),，你絕不會(huì)聯(lián)想到“陰森”和“破敗”,，但在1977年,，美國導(dǎo)演喬治·A·羅梅羅（George A Romero）為了拍攝喪尸片《活死人黎明》（Dawn of the Dead）,，特地將一個(gè)購物中心打造成令人毛骨悚然的“鬼城”,。了無生機(jī),、昏暗無光、封閉的商場(chǎng)里傳來的陣陣回響,，令人毛骨悚然,。時(shí)隔近30年，羅梅羅的片場(chǎng)布置似乎在從加州到新英格蘭一路的荒廢商場(chǎng)照片中重現(xiàn)了,。在美國偏遠(yuǎn)郊區(qū),，有一百多家空蕩蕩的鋼筋混凝土巨物蔓生于高速公路旁。

以美國中西部尤為嚴(yán)重的地區(qū)經(jīng)濟(jì)下滑,，加之網(wǎng)購的興起和新型城市商場(chǎng)的出現(xiàn),，一度將曾經(jīng)所向披靡的美式購物中心逼上了絕路。其中很多購物中心或發(fā)展,，或整修,，或擴(kuò)建，但在本世紀(jì)早期,，仍不乏有“鬼商場(chǎng)”成“鬼城鎮(zhèn)”的案例,，而攝影師也以別樣的視角發(fā)現(xiàn)了這些“鬼城”之美。

往里瞧,，內(nèi)部設(shè)計(jì)似乎比過時(shí)的濱海樂園更不堪,。那些大理石、墻磚,、好萊塢式的大樓梯在今天早就被淘汰了,。而像掛在克雷斯特伍德購物中心（the Crestwood Court mall）和圣路易斯購物中心（St Louis）的“請(qǐng)放心”標(biāo)識(shí)更是顯得有點(diǎn)多余，但看著又覺心酸,。

更讓人痛心的是購物中心的選址,。事實(shí)上，第一代美國購物中心不應(yīng)該只為開得起豪車,，有錢有勢(shì)之人服務(wù),。不是這樣的。“購物中心之父“維克多·古魯恩（Victor Gruen）表示,，新住宅區(qū)的購物中心要有凝聚力,，要能吸引公寓,、診所、學(xué)校在此安家,，在不遠(yuǎn)的將來,，還要能招攬其他設(shè)施和人員到此落戶，打造一個(gè)個(gè)欣欣向榮的城市住宅區(qū),。

1903年出生于維也納的古魯恩是社會(huì)主義的終生實(shí)踐者,。在1938年納粹德國吞并奧地利以前，他在家鄉(xiāng)學(xué)習(xí)建筑設(shè)計(jì),，后來被迫逃亡到紐約,。古魯恩隨后設(shè)計(jì)了世界上第一個(gè)全封閉式的購物中心——位于明尼蘇達(dá)州伊代納市（Edina）的南溪谷購物中心（Southdale Center），并于1956年開張,。那一年,，貓王埃爾維斯憑借一曲Heartbreak Hotel締創(chuàng)了他首支冠軍曲，諾瑪·簡·莫泰森（Norma Jeane Mortenson）改名瑪麗蓮·夢(mèng)露（Marilyn Monroe）,，IBM發(fā)明了硬盤,，菲德爾·卡斯特羅和切·格瓦拉回到古巴。

美式購物中心

隨著人們?cè)絹碓较矚g在大商場(chǎng)里邊吹空調(diào)邊購物,，從伊代納市到后來的全美,，都目睹了不斷擴(kuò)大的購物中心和越來越俗氣的裝潢。古魯恩的家園,、學(xué)校,、湖泊和公園設(shè)想也化為泡影。購物中心和商店成了閑逛的好去處,，成了現(xiàn)代美國文化的主軸,，也成了許多想效仿美國生活國家的樣板。

當(dāng)然有比南溪谷購物中心資歷還老的購物中心,。首當(dāng)其沖的就是古羅馬時(shí)期的圖拉真市場(chǎng)（Trajan’s Market）,，它是由敘利亞的希臘人大馬士革的阿波羅多洛斯(Apollodorus of Damascus)主持設(shè)計(jì)。阿勒坡（Aleppo）,、伊斯坦布爾和大馬士革的的露天大市場(chǎng)也毫不遜色于豪華大商場(chǎng),。美國購物中心的新穎之處在于它的全封閉式構(gòu)造，要驅(qū)車前往,，有優(yōu)惠的稅收和計(jì)劃法支持,，位于孤立地區(qū)。

到了上世紀(jì)90年代中期,，全美每年平均有140家購物中心拔地而起,。2007年，一個(gè)急剎車,，出現(xiàn)了50年來首次的零增長景象：經(jīng)濟(jì)衰退,。如今,，很多購物中心都被迫關(guān)閉，盡管有的不僅僅是因?yàn)榻?jīng)濟(jì)不景氣,。

2007年,，運(yùn)營三十五載的三葉草購物中心（Cloverleaf Mall）關(guān)門。切斯特菲爾德觀察者（the Chesterfield Observer）指出,，這座購物中心曾在上世紀(jì)七八十年代繁榮一時(shí)，是家人朋友聚會(huì)的主要場(chǎng)所,。“但到了90年代,，一切都變了。三葉草的主要顧客為女性,，而她們因?yàn)楹ε戮奂诖说哪贻p人而遠(yuǎn)離了商場(chǎng),。”曾就職于三葉草購物中心的管理人員表示，“那時(shí)候會(huì)經(jīng)常見到一些年輕人,，他們穿著松松垮垮的褲子,，褲頭上掛著粗粗大大的鏈子，游蕩在商場(chǎng)里,。顧客有些害怕,，會(huì)說那些少年是幫派里的人。”

大型購物中心早已失去了上世紀(jì)50年代的享樂之風(fēng)和美式純真,。由于許多商場(chǎng)都“撞臉”,，它們就像大規(guī)模垃圾一樣被更大的汽車一并排出去了。另外,，因?yàn)檫@些商場(chǎng)都的規(guī)模一個(gè)比一個(gè)大,，內(nèi)部空間巨大，遍布機(jī)電設(shè)施,，想要用作他途也非易事,。雖然很多美國人建議可將其改造成大型的休閑娛樂中心，比如：保齡球場(chǎng),、游樂場(chǎng)和賭場(chǎng),。這個(gè)主意也不是那么糟糕：對(duì)大型建筑的拆除只會(huì)讓人覺得是大尺度的揮霍和浪費(fèi)。

今天,，大型購物中心遍布世界各地,。廣東省東莞市的新華南MALL（New South China Mall）是世界上最大的購物中心，建筑面積是羅馬圣彼得廣場(chǎng)（St Peter’s）的20倍,，是全美最大的購物中心——普魯士王購物中心(King of Prussia Mall)的兩倍多,。沒想到的是，世界前十大購物中心有兩個(gè)在伊朗,。人均國內(nèi)生產(chǎn)總值1851美元的孟加拉國有著比賓夕法尼亞州的普魯士王購物中心還大的新商場(chǎng),。（而根據(jù)世界銀行數(shù)據(jù),，美國人均國內(nèi)生產(chǎn)總值為5.1749萬美元）

“恐怖”的商場(chǎng)

整個(gè)世界仍處在消費(fèi)熱潮之中。只是美國的“鬼城”告訴我們,，潮流來了又走,，也許過段時(shí)間，就像是我們弄不明白古埃及神廟到底有何用途一樣,，這些購物中心也只剩下些考古的和民俗研究價(jià)值了,。或許還真成了給活死人住的地方,。雖然羅梅羅當(dāng)初拍攝《活死人黎明》的門羅維爾購物中心（the Monroeville Mall）現(xiàn)在還運(yùn)營得不錯(cuò),，該購物中心臨近匹茲堡，于1969年開業(yè),，2013-2014年得到擴(kuò)建和整修,。至今，它不僅享受著電影《活死人黎明》所帶來的效應(yīng),，還因在1983年電影《閃舞》(Flashdance),、1984年電影《愛巨怪的男孩》（The Boy Who Loved Trolls）和斯蒂芬·金（Steven King）的恐怖小說《克里斯汀》（Christine）出境而頗受關(guān)注。

作為一種建筑類型,、社會(huì)和經(jīng)濟(jì)現(xiàn)象,，購物中心還有一段路要走，但它早已寫下了自己的不歸路,。這個(gè)現(xiàn)象充分地展示了過去五十年公眾的消費(fèi)和生活方式,。看著這些廢棄商場(chǎng)的照片,，難免會(huì)心緒不寧,，甚至還有點(diǎn)毛骨悚然。(更多全球資訊請(qǐng)瀏覽中國進(jìn)出口網(wǎng))


Born in the 1950s, these temples of commerce were symbols of the US consumer culture – but many are now dying out. Jonathan Glancey takes a look.

Shopping malls are not meant to be sinister. And, yet, in 1977, George A Romero chose to film sequences of Dawn of the Dead, his cult horror zombie movie, in a deserted mall. Shorn of life and light, the great echoing chambers of the enclosed shopping centre took on a very eerie tone indeed. Curiously, Romero’s set design has much in common with photographs of the ever-increasing number of abandoned malls strewn across the United States from California to New England. There are well over a hundred of these lifeless concrete and steel behemoths sprawled beside freeways on the fringes of far-flung American suburbs.

Economic decline in certain areas − notably the mid-West − combined with an accelerating trend towards online shopping and new forms of urban shopping centres have pushed the once seemingly invincible and all-American shopping mall into decline. Many are thriving, and being renovated and extended, yet ‘ghost malls’ are fast becoming the ‘ghost towns’ of the early 21st Century, and photographers have begun to see them as fascinating, if decidedly disturbing ruins.

Inside, their acres of kitsch design seem even sorrier than a seaside funfair out-of-season. All that marble, those wall tiles, the broad, Hollywood-like stairs − leading nowher today − and sorry details like a sign on a wall of the Crestwood Court mall, St Louis, reading “Rest Easy”, is both a little trashy and rather poignant.

All the more poignant, in fact, because the first US malls were not meant to have been sited miles from anywher and reached only by big, air-conditioned automobiles with automatic transmission and power-everything. No, Victor Gruen, the ‘father of the shopping mall’ meant them to be the core around which new settlements would cluster, with apartments, clinics, schools and, one day soon enough, all the facilities and life that go together to make thriving urban settlements.

Born in Vienna in 1903, Gruen was a lifelong socialist who trained as an architect in his home city before abandoning it for New York at the time of the Nazi annexation of Austria in 1938. Gruen went on to design the world’s first fully enclosed shopping mall, the Southdale Center in Edina, Minnesota. It opened in 1956, the year Elvis first broke into the charts, with Heartbreak Hotel, Norma Jean Mortenson changed her name to Marilyn Monroe, IBM invented the hard disk drive, and Fidel Castro and Che Guevara landed in Cuba.

The American way

Gruen’s homes, schools, lakes and parks remained a pipe dream as Edina, Minnesota and, subsequently, the US as a whole went on a prolonged air-conditioned shopping spree in buildings that waxed ever bigger and yet more kitsch. The mall became a place to hang out as well as to shop, a central part of contemporary US culture and a model for much of the rest of a world keen on emulating an American way of life.

There had, of course, been malls of a sort long before the Southdale Center, beginning with Trajan’s Market in Ancient Rome, built around 100AD by Apollodorus of Damascus, a Syrian-Greek architect and engineer, while the great souks of Aleppo, Istanbul and Damascus itself were nothing less than spectacular shopping centres. What was new about the US malls is that they were fully enclosed, inward-looking structures designed to be serviced by the car, encouraged by relaxed tax and planning laws and set in isolated locations.

In the mid-1990s, US malls were being built at a rate of 140 a year. The brakes went on in 2007, the first year in half-a-century that no new malls were built in America: recession had bitten deep into the US economy. Now, malls began to close, although some had become unpopular for reasons other than purely economic ones.

When the 35-year-old Cloverleaf Mall in Chesterfield, Virginia, closed in 2007, the Chesterfield Observer noted that while it had been a popular hangout for families in the 1970s and '80s, “That all changed in the 1990s. Cloverleaf’s best customers, women, began staying away from the mall, fearful of the youth who were beginning to congregate there. People [said a former Cloverleaf manager] started seeing kids with huge baggy pants and chains hanging off their belts, and people were intimidated, and they would say there were gangs.”

The shopping mall had long lost its 1950s atmosphere of hedonistic, all-American innocence. And, as many became redundant, so they were abandoned like giant refuse thrown from even bigger automobiles. And, because they had been built on an increasingly ambitious scale and are essentially giant boxes with vast rooms inside shot through with miles of mechanical and electrical services, these were never going to be easy structures to convert to new uses, even though many Americans have suggested they become giant leisure centres: bowling alleys, funfairs and casinos. This is not such a bad idea: the demolition of such huge buildings could only appear to be a case of conspicuous consumption and wastefulness on a truly titanic scale.

Today, the largest malls are in very different parts of the world. The biggest of all is the New South China Mall, Dongguan, covering a floor area twenty times that of St Peter’s in Rome, and well over twice of the King of Prussia Mall in Pennsylvania, the biggest in the US. Among the top ten largest malls in the world are two, perhaps surprisingly, in Iran, while even Bangladesh with a GDP per capita of $1,851 boasts a new mall far bigger than Pennsylvania’s “King of Prussia” (the same figure for the US is $51,749 according to the World Bank).

Shop horror

The world has gone on a gigantic spending spree, and yet as the experience of America’s ‘ghost malls’ shows, fashions do indeed come and go. Soon enough, and just as no one knows how to make use of Ancient Egyptian temples today, shopping malls will become the stuff of archaeology and folklore. A place for the living dead, too, perhaps, although the mall George Romero chose to film Dawn of the Dead in - the Monroeville Mall, near Pittsburgh, opened in 1969 − is doing well. It was expanded and renovated in 2013-14, yet still revels in the roles it has played not just in Dawn of the Dead, but in the 1983 movie Flashdance, too, as well as in 1984’s The Boy Who Loved Trolls and in Steven King’s horror novel, Christine.

As a building type, and social and economic phenomenon, the shopping mall has a way to go, and yet it has already spawned its own wrecks and ruins. These tell us more than enough about the ways we have chosen to spend and live over the past half-century. Looking at photographs of abandoned malls, those ways can certainly be unsettling, and even just a little horrifying.(更多全球資訊請(qǐng)瀏覽中國進(jìn)出口網(wǎng))